The Department of Social Services + BMF launch ‘Consent Can’t Wait’ behaviour change campaign
The Department of Social Services has launched a national campaign via BMF, ‘Consent Can’t Wait’, encouraging influencers of young people to take the first step in educating young Australians on sexual consent, by checking their understanding and speaking to their peers about it. Because learning, understanding, and talking about consent can’t wait.
The campaign highlights the importance of updating our understanding of sexual consent by showing how the questions we have need to be talked about, and answered, before moments of intimacy. ‘Consent Can’t Wait’ emphasises the need for people to get on the same page, so we can pass that understanding on to our kids.
The national behaviour change campaign aims to remove the fear and judgement surrounding conversations about sexual consent, and bring Australians into the conversation by turning the perceived complexity and inexperience surrounding the topic into an opportunity to learn about consent. Both for ourselves and for our kids.
‘Consent Can’t Wait’ features a diverse range of real Australian couples, as they highlight the various internal thoughts and questions many Australians silently hold about consent – questions the next generation need to know the answers to.
Says Christina Aventi, chief strategy officer, BMF: “Consent is a culturally loaded word, fraught with connotations, systemic inconsistencies, and media rhetoric. It’s also a personal and private topic, so people don’t talk about it unless they “need” to. But all across Australia, people are engaging in consent-relevant moments. Studies show that one in two of them are confused about consent and harbour questions about the topic that they keep to themselves. And, as long as we continue to hold our questions about consent silent – as long as we don’t know the answers – the next generation will too.
“We know consent is hard to define, but kids are learning more than we think, and we can’t leave it to chance and hope for the best. So, the first step is to educate ourselves and get to a shared understanding. Because before we can teach young people what’s right and wrong about consent, we need to get clearer ourselves.”

The campaign is rolling out on the 26th of May across the country and includes TV, cinema, online video, social, and OOH. In addition, the Department of Social Services and BMF have launched www.consent.gov.au, a website where Australians can check their understanding of sexual consent and challenge what they think know about the topic. The website includes resources, conversation guides, and first nations resources.
Says Kiah Nicholas, associate creative director, BMF: “From casting real couples to an intimacy coordinator on set, to wardrobe autonomy, to consent over how the scenes were set; consent was integrated into every facet of the campaign process. It was critical to us that our campaign didn’t just talk the consensual talk but walked the consensual walk. After all, if we can’t act with consent, how can we expect the Australian public to?
“Revolver director Dani Pearce carried out the campaign idea and brought it life with the utmost consideration, collaboration, and respect. We were in awe of the level of craft and care that Dani and her team members put into the project.
“We hope this campaign inspires all Australians to take action and help make change possible by getting up-to-speed on, and improving their understanding of, consent. We can’t hold our questions about consent silent a second longer. Because if we don’t know the answers, how will our kids? – Learning, understanding, and talking about consent can’t wait.”

Client: Department of Social Services
Branch Manager, Campaigns and Strategic Communication: Mardi Stewart
Director, Campaigns: Turong Francis
Co-Campaign Manager: Nicole Bell
Co-Campaign Manager: Lauren Jeffrey
Campaign Officer: Laura Griffin
Creative Agency: BMF
Chief Creative Officer: Alex Derwin
Chief Innovation Officer: Tara McKenty
Group Creative Director: Tom Hoskins
Associate Creative Director: Kiah Nicholas
Senior Creative: Nathan Pashley
Head of Art & Design: Lincoln Grice
Chief Strategy Officer: Christina Aventi
Planning Director: Jess Sutanto
Chief Executive Officer: Stephen McArdle
General Manager: Richard Woods
Group Account Director: Victoria Venardos
Senior Account Manager: Anja Cherry
Head of TV: Jenny Lee-Archer
Agency Producer: Honae MacNeill
Finished Artist: Jayde Chan
Creative Services Director: Clare Yardley
Digital Lead: Sam Elliott
Digital Producer: Haydon Fanning
UI/UX Designer: Janet Tyler
Production Director: Karen Liddle
Integrated Producer: Simone Plaza
Digital Agency: Orchard
Production Company: Revolver
Director: Dani Pearce
Managing Director/Co-Owner: Michael Ritchie
Executive Producer/Partner: Pip Smart
Producer: Sarah Nichols
Director of Photography: Jeremy Rouse
Production Designer: Vanessa Cerne
Intimacy Coach: Polly Hemphill-Duchen
Wardrobe: Matt Stegh
Post Production: ARC EDIT
Editor: Phoebe Taylor
Sound Production: Cam Milne / Squeak E Clean
Music: Lydia Davies/ Squeak E Clean
DOP: Jeremy Rouse
Production Director: Sarah Nichols
19 Comments
Still.
Beautiful work Dani!
I dont get it
I can’t believe that a government department could be so obtuse about something so important. If the idea is to make something that can feel confusing for kids clearer, they have failed miserably. Yet another example of government being seen to have done something without doing anything.
Almost like the objective and feasible expectation of a 30″ commercial wasn’t to explain every detail of a nuanced topic to every section of a fragmented audience simultaneously.
Thats beautiful
Beautiful work.
Yeah girlfriend you did that
Nice production.The concept is confusing.Is it Yes,or No or should I Go.
Tough to tell older adults they don’t know something without triggering this almost auto-immune rejection response.
This is a nice way to do it. Beautiful film. Congrats.
Beautiful work Dani 🙂
If the line is ‘Consent Can’t Wait’, shouldn’t the film have a sense of urgency?
There’s no tension, drama or even genuine intimacy in these moments. Feels pretty bloodless.
I’m sure the stills will look pretty on Instagram, but if I saw this on TV or socials I’d tune out completely.
I am not sure what all the confusion is about… Consent is a very complicated and nuanced issue never going to be solved in a 30s/ 60s or even a 90s commercial… obviously this is a call to action that is intended to drive people to a Government website where you can access in depth information and resources, which is actually really good, for those genuinely wanting to learn about consent.
Okay BMF person
consented to this?
Your logic is as confusing as this film.
If the issue can’t be solved ‘in a 30s/60s or even a 90s commercial’then don’t make them.
God knows there are many more ways to educate people.
But then the government wouldn’t get the kudos(and votes) that apparently come with a big campaign on the telly.
I’m even more confused now.
Surely the idea ‘if we don’t understand it, how can we explain it to our kids’ works. Not everything has to be spelled out in the TVC.
I think it is because I feel so strongly about this issue,that I feel so disappointed by this communication.