Tongue’s Jonathan Pease directs brand-funded short film starring YouTube sensation Sarah Ellen
Jonathan Pease steps out from his regular duties, as the executive ideas director of Sydney creative agency Tongue, to direct his first short film.
Room 317 is a story about a young girl caught in a perpetual loop, or as it says on the YouTube description, a never-ending nightmare. The online film brings together several digital influencers including fashion it-girl Margaret Zhang, makeup maestro Max May and the star of the film, YouTube sensation, Sarah Ellen.
Pease conceived the film with Sarah Ellen and acquired funding for the project from several brands including QT hotels, Chupa Chups and Swarovski.
On the surface, Room 317 is a beautiful piece of film but there’s something far more sinister going on just under the surface.
Pease explains: “Room 317 is a comment on the relationship people have with social media. The lead character’s mood and persona changes relentlessly throughout the film, which represents the way people change their public image on social media by using filters, retouching and only posting photos of themselves when they’re doing something that will make others jealous. Social media can be a slippery slope and this film is an abstract cautionary tale”
Along with the main film, the team created bespoke executions for all of Sarah Ellen’s social platforms including mini films for Vine, longer form teasers for Snapchat, and15 second trailers for Instagram.
Adds Pease: “Sarah was the perfect person to make this film with. She literally grew up on social media and has lots of unique insights that were vital to the film making process”.
The film was only launched a little over a week ago at a private screening for 80 VIPs, media and influencers but it’s already gaining traction with over 280,000 views on YouTube and around 2 million interactions across social media. As an example of scale, every time Sarah Ellen posts a snap about Room 317 (on her Snapchat) she’s getting around 50,000 views. Before the film had even launched, the campaign had already reached over 300,000 engagements from behind the scenes content alone.
Says Sarah Ellen’s manager, Maddison McKay, who pioneered digital talent management in Australia by turning local names such as Nicole Warne, Margaret Zhang and others into international stars: “Creative and bespoke partnerships with a strong idea behind the content is how we always try to work with brands. Room 317 was a perfect opportunity to do exactly that with Sarah. The ‘sponsored post’ bubble can only go on for so long and that’s not how we work with brands.”
Clients – Swarovski, Chupa Chups and QT Sydney
Starring – Sarah Ellen
Writer and Director – Jonathan Pease
Executive Producer – Jo Melling
DoP – Rupert Critchley
Production Designer – Ian Kanik
Editor – Spencer Austad
Gaffers – Mat Wilson and Alan Fraser
Colourist – Tristan La Fontaine
Visual Effects – Al Moore
Graphic designer – Pin Athwal
Motion Graphics – Goran Grce
Styling – Margaret Zhang
Hair & Make up – Max May and Kate Angus
Production company – Candid Projects
Music and sound – Rumble Studios
12 Comments
Unoriginal – dreams? Really!?
Earnest. Overly.
Qt you are so much better than this. This does not do your hotel justice.
Please don’t make any more short films. Thank you.
Why room ‘317’ ?
Lovely work. Well done. QT’s never looked so coool
What is the expected result other than the usual industry/clique/cliched pat on your own back by fixing results to justify the spend? This means nothing to 99.9% of the population. Brand funded? QT should probably invest in updating the Gowings menu – that would influence more foot traffic than this.
What on earth?
Hauntingly good. Sound track and outfits are epic but I cant see any brands in here.. Dug it though
The problem with being young and inexperienced is is shows in every frame. Not to mention stealing every idea from THE 80’s does not mean you have made them your own. Stop going to New York which is now just Disney for grown ups, get yourself into trouble, grow from the experience. The Chanel jacket is just one more nail in this schlock horror story. At 2.30 the film already seemed to have been going on way too long.
” the campaign had already reached over 300,000 engagements”
That’s a lot of free-loaders that will never pay for anything – good work kids.
Officialsarahellen 1 week ago
+Jessica Jung The meaning is abstract, so I get why it’s a little tricky to immediately understand BUT there is a deeper message behind it. It’s one of the main reasons why I wanted to make the film. To break it down a bit – my character changing personas and moods represents how people change their public image on social media – with fake profiles, filters, retouching, etc to make out like they are a certain way and live a certain kind of life, when half the time it’s all smoke and mirrors! Also, my character is in a perpetual loop… a never ending nightmare… this represents the deep hole people can get into when they let social media run their life rather than the other way around. Make sense?? If not, I hope you enjoyed it anyway as just a cool piece of content – SE xx
Great piece. Evocative. Love the vision of the entire piece. Great work!
As a guy who’s been around I know this is where all advertising is headed. Clever ways of putting brands in the entertainment, rather than around it. I think this is a job well done. Now I just need to convince my clients to do the same! urgh