Ogilvy Sydney gives the Australian Women’s Weekly new look, brand campaign and iPad app
UPDATED TO INCLUDE TVC – The Australian Women’s Weekly this week unveils a re-design, a new brand campaign backed by a $4.5 million TV schedule and a new iPad app.
The brand campaign launches tonight with the 45-second TVC airing in all metropolitan markets and regional areas (there are also 30-second brand and retail executions).
The TVC has been created by Ogilvy & Mather Sydney and directed by Paul Goldman from Exit Films, renowned for directing more than 200 music videos (including for Elvis Costello, Nick Cave and the Bad Seeds, Kylie Minogue, Missy Higgins, Hunters and Collectors, Jimmy Barnes, Crowded House and Silverchair).
A celebration of the Australian woman’s many guises, the creative depicts her relationships throughout life – mother and daughter, teacher and pupil, nurse and patient – across generations and cultural backgrounds.
This emotional connection is reinforced by the well-known song, She, originally recorded in 1974 by Charles Aznavour and performed more recently by Elvis Costello in the movie Notting Hill. The agency has re-recorded and updated the song with a modern, female voice.
The Australian Women’s Weekly is also the first mass-market magazine to introduce an iPad app, starting with its November issue, giving readers a new platform to access the country’s biggest monthly title.
The app, which costs $5.99 from Apple’s online store, brings the pages of The Weekly alive with incredible visuals and exclusive extras, such as behind-the-scenes videos from the magazine’s celebrity shoots, cooking demonstrations from the Food Team which make The Weekly’s famed Triple-Tested recipes even easier to follow, and a host of special executions and additional content across the magazine, from fashion and beauty to books, film and entertainment.
The app complements The Weekly’s new look, which is also being unveiled with the November issue.
Following extensive focus group research, new fonts and layouts have been introduced to make the magazine easier to navigate. Every pillar of the magazine has been examined to build on changes that have been progressively introduced throughout the year.
The result is a greater emphasis on food and homes, in addition to The Weekly’s core commitment to publish the best stories and interviews. There is also a renewed focus on beautiful, affordable and wearable fashion for women 35-plus. The change builds on the expanded books pages, The Weekly’s online book club, plus a new health and wellness section.
There are dozens of additional tips for readers, break-out boxes and how-to pages to help make the information more relevant, engaging and digestible.
The moves coincide with the November issue (on sale tomorrow, Wednesday, 27th October) and represent a major investment in Australia’s most read magazine, which now reaches 2.188 million people every issue.*
With the magazine’s refresh supported by in-depth consumer research, the new brand campaign encourages a new generation of Australian women to pick up The Weekly, while reminding loyal readers of its strengths.
ACP Magazines Group Publishing Director, Phil Scott, said: “This investment in our flagship title, The Australian Women’s Weekly, is part of a regular process of review to successfully take our titles into the future. ACP aims to ensure that all our titles remain relevant to their loyal readers, while also working to attract new audiences.
“It’s also important that we keep pace with technology, so that readers can access our magazines on a range of devices. Our challenge is to be on the right platforms with the right products and ensure that our digital magazines lead the market.
“Audiences should be able to read our magazines when and where they want, but we also have to develop the most effective solutions to ensure the business models stack up.”
The Australian Women’s Weekly Editor-In-Chief, Helen McCabe, said: “It is an exciting time for The Weekly, with an iPad app, a new brand campaign and a refresh of the design all in the one issue.
“This investment represents the considerable faith in the brand both from ACP and Australian women, who still, after 77 years, trust and love this magazine.
“I am confident that new and loyal readers will enjoy the re-design and that the iPad version will be embraced by a growing number of tech-savvy female readers.”
The Australian Women’s Weekly is Australia’s most-read magazine, reaching 2,188,000 people with every issue. The gap between it and its nearest monthly competitors is 321,000 (Better Homes & Gardens) and 1,237,000 (Super Food Ideas)*.
*Source: Roy Morgan Readership Survey Jul 09-Jun10
Creative Agency: Ogilvy & Mather Sydney
Creative Group Head: Jo Sellars
Head of Art: Raj Rabindranath
Head of TV: George Saada
Production Company: EXIT Films
Director: Paul Goldman
Producer – Caroline David
22 Comments
Oh sweet
Nice one for the ladeeeeeeezzzz.
Good strategy, nice execution. Hard not to like.
I wonder why the new ECD doesn’t feature in the credits?
Nice to see they were able to pull it all together from stock footage too, oh wait.
Soft. No, wait…flaccid.
i am sick to death of this patented holden commodore TVC closeup circa 2008/2009. that soft looking thing, focusing on people looking down the lens smiling. this ad feels like it would’ve worked a lot better without those so to not be so knowing and blurgh.
it has ingredients to be charming but those shots totally take me out of it where as the candid stuff feels heaps nicer.
i am off to tuck my balls up into my legs and parade around my mangina.
Good to see the Women’s Weekly has finally broken the shackles of appealing to only grandmothers. I love the Women’s Weekly as a mag, but in the past felt embarrassed to read it on the train, bus or at the beach. This ad campaign, using real women, across a range of age groups will mean I can step out of the closet and into the real world with my mag.
Thank God Women’s Weekly you used real women with real wrinkles. I was so afraid when I pressed play Tracy Grimshaw or another air brushed TV celbrity would be there to haunt me.
I’m off to buy my Women’s Weekly!
God bless the ladies. Specially you Jo.
Oh and Charles Aznavour. x
Geoff (yes, we know who you are), Charles Aznavour is not a lady. But in his pomp (in the 70’s) he was known as a ladies man…
Take an iconic mag and team it with some fantastic creative- bound to be winner. It’s nice to see some quality work from Ogilvy Sydney.
We are proud of all our subjects, and those Australian ladies who read Women’s Weekly are especially close to my heart. God bless all of them.
Ladies & Gentleman the grand dame of the newstand has been reborn. Love the vision. Love the music. Fantastic tagline. Nice one Ogilvy. A TVC with heart & soul.
Nice job.
I work at Ogilvy and this work is great.
I don’t think Lady Lumps works at Ogilvy.
Pathetic. Says a lot.
Sausages are delicious with some tomato sauce and home made pickles.
I guess you take what you can get.
Poor bastards, I don’t envy you having to push out this montage one bit.
souless
Hi – anyone know who is actually singing the song?
who’s the singer? great voice! sounds a little like lisa mitchell…