‘Location, Location, Location’ – Graham Watson’s new book takes readers through the evolution of commercials, from the 70’s, 80’s, 90’s, 2000’s
‘Location, Location, Location’ is told by the creative people who were involved in the shoots, who convey, repeatedly, that most didn’t proceed too smoothly. The book is a must-read for anyone interested in the history and evolution of TV commercials.
‘Location, Location, Location’ is a tribute to these creatives that the commercials have won so many awards. Guinness ‘Surfer’ was voted the best commercial ever in 2022 and John West ‘Bear’ has had over 450 million hits on YouTube, where incidentally, you can view all the commercials.
‘Location, Location, Location’ takes readers through the evolution of commercials, from the halcyon days of the 70’s, 80’s and 90’s and into the 2000’s when the advent of CGI came to the fore and made location shoots less important. 35 commercials over 35 years.
Beside being an entertaining read, the book is also educational, demonstrating the production process of making a commercial on location, including choosing the right director, pre-production and post-production meetings, with some storyboards as reference, and the use of special effects.
Many of the directors have gone on to be successful in Hollywood, winning Oscars on the way. Hugh Hudson and Ridley Scott being two of them, plus rising stars like Jonathan Glazer.
The book is a must-read for anyone interested in the history and evolution of TV commercials.
Location, Location, Location is written by Graham Watson, one of the most awarded advertising creatives of all time. His work spans spells at Collett Dickenson Pearce, TBWA and Bartle Bogle Hegarty, three of the driving forces in what is now known as the golden age of British advertising.
The book is not on Amazon, but it can be ordered from this website
11 Comments
But sadly most of the learnings here can’t be applied to a 20k social shoot. I’d love to be proven wrong.
I think you’ve missed the point.
These ads weren’t great because they threw a shitload of money at them.
They were great because the ideas were brilliant and the execution appropriate.
Yes it is very hard to do a great 20k social shoot.
It’s also very hard to do a great $2m TV ad.
But the principles are the same.
@A nice history book “But sadly most of the learnings here can’t be applied to a 20k social shoot.” Totally agree, but it’s not aimed at those with small social budgets in the same way a butcher’s shop isn’t aimed at vegetarians. It is a fantastic book if you want to learn something about how great ads were written and made. And there are still clients with big budgets for screen.
This for me is a must-have in my reference library. Not at least as a compelling history of commercials and how they were created and produced,
but anything that includes copies of Tony Scott’s storyboards (hand drawn on lined exercise book pages no less) I just can’t let pass.
Whoosh
The craft, ideas and love were lost 20 to 30 years ago.
The classics were amazing and we all loved being amongst them and inspired by them.
Honda Cog, Grrrr, Nike TAG, the great Levis work, and Sony Balls.
They were the days of brilliance.
Today?
Sadly, so sad.
…sorry, I forgot to mention Honda’s Impossible Dream which was set to Andy Williams amazing track Impossible dream.
https://www.youtube.com/watch?v=NrQoof1F2cQ
Make. Photography. Great. Again.
Sony balls was 2005. I remember some reasonably good Carlton Draught work around that time too. I’d say it was 10 years ago so you could include those and the fantastic Skittles work.
Big Ad, which was great, was also after 2001, but today pales in to comparison of the era of the classic ads that were written before. The Independent was also another noted classic….
Skittles work is average at best compared with these classic examples..