Jason Alexander fronts latest Uber Eats ‘Get Almost, Almost Anything’ campaign via Special

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Uber Eats just dropped its latest iteration of its ‘Get almost, almost anything’ campaign during the AFL Grand Final via Special.

 

Uber Eats is back with the latest instalment of the ‘Get almost, almost anything’ campaign, featuring internationally recognised actor and comedian Jason Alexander. This new instalment, titled “Canned Laughter,” humorously explores the chaos that can arise when the idea of having everything at our fingertips becomes a little problematic.

Following successful collaborations with Kris and Kendall Jenner, Tom Felton, and Nicola Coughlan, this fresh ‘Get almost, almost anything’ campaign is another self-deprecating admission that there are some things Uber Eats doesn’t deliver – demonstrated through the chaos that would ensue if some of our innermost desires were in fact available on the app.

Jason Alexander fronts latest Uber Eats ‘Get Almost, Almost Anything’ campaign via Special

Alexander’s comedic journey begins when the funny man can’t land a joke at a dinner party. Frustrated, he turns to Uber Eats to order ‘canned laughter’, and his problems seem solved…until it becomes clear that there are some situations where laughter is less than ideal, ultimately leading to unexpected—and hilarious—consequences.

The world of Alexander’s comedic desire continues in a series of social spots which further illustrate the array of items available on Uber Eats – from retail, grocery, alcohol, convenience and of course, restaurant cuisine.

“There’s always been a special part in my heart for comedy and the iconic tropes of television of yesteryear,” said Jason Alexander, “Working with Uber Eats in a way that was a self-deprecating homage to these elements and why they perhaps don’t hold true today was genuinely great fun.”

Jason Alexander fronts latest Uber Eats ‘Get Almost, Almost Anything’ campaign via Special

Says Brand Lead, Uber, ANZ, Channa Goonasekara, ”This campaign would not have worked with anyone else in the world. We were over the moon to be able to partner with Jason on this new iteration of our brand platform. His comedic calamity is instantly recognisable and his performance is brilliantly nostalgic as it builds throughout the hero brand film. He was the perfect custodian to build on the work of Kendall and Kris Jenner, Nicola Coughlan and Tom Felton to remind Aussies and Kiwis that you can get almost, almost anything on Uber Eats these days.”

“It’s been great working alongside Director Mark Molloy and Jason, to bring this sitcom trope to life, as well as bring back Jason’s very distinct brand of misery. It’s not only a fun brand statement, but feels like a reward for his fans,” said Creative Director, Special, James Sexton.

“Jason Alexander’s life being ruined by canned laughter feels like a great continuation of Uber Eats’ now well known self-deprecating tone and open admissions that they don’t deliver everything, said Creative Director, Special, Harry Neville-Towle, “It’s also more entertaining evidence you really really don’t want us to .”

The hero film premiered during the halftime show of the AFL Grand Final, complemented by a series of audio ads and social spots rolling out across various platforms.

The ‘Get almost, almost anything’ campaign platform has been exported globally to Taiwan, Spain, Mexico, the United States, Canada, Chile, Sri Lanka and Portugal.

Jason Alexander fronts latest Uber Eats ‘Get Almost, Almost Anything’ campaign via Special

Uber Eats
Senior Director of Marketing, International: Lucinda Barlow
Senior Director of Marketing, APAC: Andy Morley
Head of Marketing, ANZ: Nicole Bardsley
Brand Lead, ANZ: Channa Goonasekara
Brand Marketing Manager: Rebecca Macciolli
Brand Marketing Associate: Holly Dover
Global Executive Creative Director: Danielle Hawley
Creative Director, APAC: Adam Ledbury
Associate Creative Director: Yessy Downs
Director Communications, ANZ: Peta Fitzgerald
Head of Delivery Communications, ANZ: Nick Vindin
Media Lead, ANZ, Rob Maddison
Strategy Lead, APAC: Josh Pickstone
Sr. Marketing Manager, NZ: Olivia Sykes
Talent and Legal: Cameron Loughlin, Jessica Shao

Special
Partners/CEO: Lindsey Evans & Cade Heyde
Partners/CCO: Julian Schreiber & Tom Martin
Creative Directors: James Sexton & Harry Neville-Towle
Lead Creatives: Joe Ranallo & Will Winter-Irving
Creatives: Hannah McCowatt, Laura Grimshaw & Toby Kennedy
Managing Director: Lauren Portelli
Team Leads: Rachel McEwen, Laura Little
Business Director: Claire Emery
Business Manager: Oscar Kennedy
Head of Strategy: Celia Garforth
Strategy Director: JJ Bender
Head Of Film Production: Sevda Cemo
Executive Producer: Wendy Gillies, Paul Johnston
Integrated Producer: Will Sealey
Head Of Stills: Nick Lilley
Stills Producer: Danielle Senecky
Head Of Design: Adam Shear
Designer: Maggie Webster, Cameron Morris
Finished Artist: Jen Bailey

Exit Films / Smuggler Films
Director: Mark Molloy
Cinematographer: Robert Elswit
Executive Producer: Leah Churchill-Brown
Producer: Alexandra Taussig
Producer: Luigi Rossi
1st AD: Peter Kohn
Casting Director: Jodi Sonnenberg

Chee Productions
Executive Producer: Tamiko Wafer
Executive Producer: Matt Chee
Photographer: Christopher Tovo
Digital Operator: Jake Lowe
Retouching: Cream Studios

The Editors
Editors: Stewart Reeves
Managing Director: Nicoletta Rousianos
Executive Producer: Rita Gagliardi
Lead Flame Artist: Eugene Richards
Colourist: Fergus Rotherham

Rumble Studios
Lead Sound Designer: Tone Aston
Sound Designer: Daniel William
Sound Executive Producer: Michael Gie

BTS Press
Tony Gardiner ACS

Media Agency: EssenceMediacom

Retail Agency: Hatched