Genea Fertility re-writes story of where babies come from in new campaign via CHE Proximity
Genea Fertility, one of Australia’s leading providers of assisted conception treatment including IVF and egg freezing, has launched a new brand platform “Where babies come from,” in collaboration with CHE Proximity.
According to the Australian & New Zealand Assisted Reproduction Database compiled by UNSW using data from all fertility clinics, almost one in 20 children are conceived via IVF. Despite this, when the question of where babies come from is asked, society defaults to the story of heterosexual couples who conceive naturally. This leaves many IVF patients, and the one in six people who struggle to conceive naturally, feeling they can’t talk openly about their struggles.
To help alleviate that stigma, Genea rewrote the age-old story of where babies come from. The brand positioning flows through every part of Genea’s brand but culminates with an intentionally provocative film and heart-warming children’s book, both playfully created to acknowledge everyone’s fertility journey.
Says Nicole Papoutsis, head of brand and marketing, Genea: “The need for us to step outside the category norm was so strong that it was going to take a provocative idea to get the job done. We had two major hurdles – smashing the taboo around infertility and also differentiating Genea in a bland and undifferentiated market. This was more than just a campaign, this was about intentionally breaking the mould to drive a change in the conversation around infertility and IVF.”
Says Richard Shaw and Jeremy Hogg, creative directors at CHE Proximity: “We knew going into the project we wanted to tell everyone’s story in an honest but fun and fresh way. In the film, we acknowledge people have a lot of sex before seeking help from Genea. And ultimately, IVF is just a different kind of sex resulting in conception. The book addresses the same journey but in a way children can digest and IVF kids can feel special about.”
The campaign has been live across earned, social, and digital channels including BVOD. For more information on Genea, please visit: genea.com.au
Genea
Head of Brand and Marketing – Nicole Papoutsis
Corporate Communications Manager – Elizabeth Gosch
Media Relations Manager – Alice Ross
Digital Co-Ordinator – Karen Sivieng
Graphic Designer – Philip Kim
Creative Agency: CHE Proximity
Executive Creative Director – Cameron Hoelter
Creative Directors – Jeremy Hogg and Richard Shaw
Senior Copywriter – Fee Millist
Art Director — Aicha Wijland
Head of Design – Darren Cole
Senior Designer – Trent Michael
Senior Designer – Sebastian Perez de Arce
Digital Design Lead – Reece Lawson
Designer – Chloe Schumacher
Managing Partner – Renee Hyde
Account Director – Nicholas Biggs
Judy Crema – Senior Account Director – PR
Nick Zonnios – Head of PR
Lauren Hunt – Senior Business Director
Research Marketing Manager – Katherine McCulloch
Director, Strategic Production – Holly Alexander
Broadcast Producer – Elena Szymanski
Technology Project Manager – Anna Boucaut
Technology Project Manager – Seb Bennett-Leat
Senior Editor – King Yong
Creative Technologist – Patrik Fagard
Creative Technologist – Andy Stewart
Chief Media Officer – Mike Deane
Head of Strategy, Media – Tim Russell
Integrated Planner – Anna Longson
Illustrations
Illustrators: Mrzyk&Moriceau @ Division
Film
Production Company: Division
Directors / Illustrators: Mrzyk&Moriceau
Executive Producer: Genevieve Triquet
Animation: L’Incroyable Studio
Sound Designer: Abby Sie @ Song Zu
Music Publishing: Anton @Trailer Media
21 Comments
This is a great idea executed extremely well.
Would love to work with the illustrator.
Well done to all
Such brave work is such a tough category. Hats off to client and agency
well done to all involved
In every single way
How fun!
WRITTEN ALL OVER IT.
It’s got DNA D all over it…. boom tish.
Gave me the feels. Well done to everyone involved. More work like this for the category please.
I love everything about this.
It’s really fun and highly distinctive.
But I have a genuine question.
With the sexual nature of this film, you can’t put it on TV, Facebook, Instagram, YouTube or VOD.
So, where would people see this?
Genuinely excellent.
Incredible work. What a refreshing change for the category. Every hat I own is off to the team behind this.
Excellent funny animation. I love the sperm and egg having a time.
This is going straight to the pool room.
@Lov it – have seen far more sanitised versions on YouTube pre-rolls – zero sex and zero genitals as far as I remember
This is fantastic – well done to the creative, production and especially the client team for being brave and making this work and being inclusive!
Bravo guys. Bloody brilliant all round. Enjoy the metal shower!
The 70s alive and well with this level of pubic hair. LOL
a little bit laboured.
I see what you did there, but it’s a f*ck load better than the other swill on this blog of late.
I think it’s laboured, but that’s the point. The execution is outstanding, the message is so now, it is irreverent and super cool. It won’t win an effectiveness award though. The branding or call to action is non existent. If I want to talk about this I’m now doing a category job, for IVF broadly. Did you see that awesome IVF ad with the bonking cartoons?Kind of like dumb ways to die but for IVF.
Love it. Nice one Rich and Jeremy.