DAIFF announces Gen AI film winners; releases dataset mapping a new creative landscape
Australia’s first DISRUPT AI Film Festival (DAIFF), held at ACMI in Melbourne, has announced its inaugural Gen AI film winners and will release the country’s first dataset capturing how Australian creators are working with generative AI today.
Held during Australia’s AI Week 2025, DAIFF contributes to the country’s wider effort to build practical AI capability across creativity, culture and technology.
Australia’s first dedicated Gen AI film festival, DAIFF, was created to fill a clear gap: Australia had rising interest and experimentation, but no national mechanism to see the work, interrogate the tools, or connect talent with industry. The ambition was simple and pointed: move the conversation on creative AI from “we think” to “we know”, using evidence rather than opinion.
In its first year, the festival received 371 films, with 38 shortlisted, representing 67 hours of AI-generated storytelling, almost the same length of all eight series of Game of Thrones.
Early analysis of this dataset reveals how Australian creators are working with Gen AI today, signals, which demonstrate Gen AI filmmaking is not an automated output; it is iterative, labour‑intensive and driven by human judgement.
DAIFF is supported by sponsorship from TBWA, Google, Leonardo.AI, BMW and Holding Redlich, with support from RMIT University, Swinburne University of Technology, AFTRS and DAIC. The festival is deliberately Australian-built and Australian-led, featuring Australian creators. It also establishes a visible talent pipeline: through partnerships with RMIT, Swinburne, and Leonardo.ai, which gave every participating student 5,000 tool credits and dedicated education in human creativity and AI craft. Shortlisted films complied with Screen Australia guidelines and were reviewed by lawyers for copyright and IP, providing a legal and ethical framework from the outset.
Says Kimberlee Wells, CEO of TBWA Australia: “DAIFF is Disruption® in action. We built this festival to give our talent, our industry and our clients a national advantage, real capability, real insight and a clearer path to growth. This is how Australia competes: by backing creativity, setting our own standards and building the infrastructure others haven’t.”
Says Paul Reardon, CCO of TBWA\Melbourne and Jury Chair: “What DAIFF proved, very quickly, is the tools don’t make the work, the people do. The best films weren’t defined by the model, but by the maker: their taste, their judgement, their intent. AI can accelerate craft, but it can’t replace it. This festival shows exactly where human creativity still leads, and why it always will.”
Says DAIFF co-founder and TBWA Chief AI & Innovation Officer Lucio Ribeiro: “DAIFF exists because the industry needed a way to separate noise from reality. This dataset moves us from ‘we think’ to ‘we know’. By bringing together platforms, universities, legal partners and industry, we’ve created the first shared foundation for Gen AI storytelling in Australia. It gives us a baseline to deepen the work with our academic partners and build the research Australia needs for what comes next.”
2025 DAIFF WINNERS
• Grand Prix: Black Box — Director: Peter Majarich
• Best Short Film: Lens Wide Open— Director: Bruce Hunt
• Best Long Form: Erase — Director: Ash “forevercoast” Phillips
• Best Student Film: Unhold — Director: Apoorva Tandon
Click here to view the Gen AI film winners and the whitepaper with the 2025 dataset.
Register for FREE HERE and receive the Campaign Brief Daily Bulletin and/or the global Best Ads Best of the Week Bulletin. Subscribe to Campaign Brief Magazine.
#More Creative News #No paywalls #No annual membership fees
Subscribe to Portfolio & Reel for current listings of Australian and NZ ad agency and production company leadership and key personnel
