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  • Flux Animation Lands Back-to-Back Emmy Nods with Disney’s ‘How Not To Draw’

    Flux has received its second consecutive Emmy nomination, with Disney’s How Not To Draw recognised in the Outstanding …

  • T&DA creates groundbreaking 100-meter visual experience ‘Taking off again with Kai Tak’ for Cathay at Kai Tak Sports Park

    As visitors set foot on the new Kai Tak Sports Park West Bridge, they are not just walking a path—they are moving thro…

  • Heckler Sydney wins Gold at Athar Awards for Red Sea Global’s ‘Where Now Is Forever’ campaign

    Independent creative studio Heckler Sydney has been honoured with a Gold Award for Creative Excellence at the 2025 Athar…

  • The Post Lounge reignites shortform with senior hires, national footprint and Company 3 colour firepower

    The Post Lounge has reinvigorated its shortform arm, adding two heavyweight hires and doubling down on premium delivery …

  • Dark, short and dry: the ingredients that went into Heckler’s ambitious short film, Cold Turkey 

    Cold Turkey, an ambitious short film written by David Nobay, directed by award-winning photographer and filmmaker Simon …

  • Revolver, FINCH, Alt.vfx and BMEOF recognised in LIA Production & Post-Production awards

    Australia has secured two Silver Statues and six Bronze Statues as LIA reveals the winners in the Production & Post-…

  • The State of the Australasian Post Production Industry in 2025: a period of disruption, reinvention, and cautious optimism

    The past 12 months have been a period of disruption, reinvention, and cautious optimism for the Australian post producti…

  • Salvos captures generosity in new ‘Gift in Will’ campaign, directed by Flint’s David Maurice Smith

    The Salvation Army has launched a new TVC and stills campaign, created in collaboration with production company Flint, w…

  • VANDAL named Australasian Production Company of the Year in THE WORK 2025; Collider, FINCH, Revolver + TAXI Film Production make up the top 5

    VANDAL has been named Australasian Production Company of the Year based on the results of Campaign Brief’s THE WORK 20…

  • HPA Award-winning colourist Keiran Lee opens new Sydney post studio, Eighteen Percent

    Keiran Lee – the Hollywood Professional Association award-winning colourist trusted with global franchises such as…

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  • Flux Animation Lands Back-to-Back Emmy Nods with Disney’s ‘How Not To Draw’
    2 Comments

    Flux has received its second consecutive Emmy nomination, with Disney’s How Not To Draw recognised in the Outstanding …

  • T&DA creates groundbreaking 100-meter visual experience ‘Taking off again with Kai Tak’ for Cathay at Kai Tak Sports Park
    No Comments

    As visitors set foot on the new Kai Tak Sports Park West Bridge, they are not just walking a path—they are moving thro…

  • Heckler Sydney wins Gold at Athar Awards for Red Sea Global’s ‘Where Now Is Forever’ campaign
    No Comments

    Independent creative studio Heckler Sydney has been honoured with a Gold Award for Creative Excellence at the 2025 Athar…

  • The Post Lounge reignites shortform with senior hires, national footprint and Company 3 colour firepower
    2 Comments

    The Post Lounge has reinvigorated its shortform arm, adding two heavyweight hires and doubling down on premium delivery …

  • Dark, short and dry: the ingredients that went into Heckler’s ambitious short film, Cold Turkey 
    No Comments

    Cold Turkey, an ambitious short film written by David Nobay, directed by award-winning photographer and filmmaker Simon …

  • Revolver, FINCH, Alt.vfx and BMEOF recognised in LIA Production & Post-Production awards
    No Comments

    Australia has secured two Silver Statues and six Bronze Statues as LIA reveals the winners in the Production & Post-…

  • The State of the Australasian Post Production Industry in 2025: a period of disruption, reinvention, and cautious optimism
    No Comments

    The past 12 months have been a period of disruption, reinvention, and cautious optimism for the Australian post producti…

  • Salvos captures generosity in new ‘Gift in Will’ campaign, directed by Flint’s David Maurice Smith
    No Comments

    The Salvation Army has launched a new TVC and stills campaign, created in collaboration with production company Flint, w…

  • VANDAL named Australasian Production Company of the Year in THE WORK 2025; Collider, FINCH, Revolver + TAXI Film Production make up the top 5
    No Comments

    VANDAL has been named Australasian Production Company of the Year based on the results of Campaign Brief’s THE WORK 20…

  • HPA Award-winning colourist Keiran Lee opens new Sydney post studio, Eighteen Percent
    1 Comment

    Keiran Lee – the Hollywood Professional Association award-winning colourist trusted with global franchises such as…

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