Ampol launches new ‘Powering Our Way of Life’ campaign via Saatchi & Saatchi and iProspect
Ampol has launched a new campaign called ‘Powering Our Way of Life’, created by Saatchi & Saatchi Australia, that looks to the future with an increased focus on new energy solutions for its customers.
This purpose, now more than ever, is realised with Ampol’s rollout of AmpCharge Electric Vehicle charging solutions. Whether fuel or electricity, Ampol can power every Australian’s way of life under our beating sun.
The campaign seeks to showcase the various forms of energy solutions Ampol offers from Amplify Premium Fuels through to electrification, with the latter both within Ampol service stations and at home.
Ampol understands that Australia’s diversity is remarkable. From coast to coast, the way people live is a spectrum of individuality and it’s what makes Australia the country it is – a place where people are free to go their own way.
But one thing we all have in common is the journey we’re on together. As a people, we’re always on the move, and it’s this innate momentum that continues to power Ampol since 1936.
Says Matthew Halliday, managing director and chief executive officer, Ampol: “The return of the Ampol brand has been a huge success, with strong brand awareness levels nationally and our position as the only major Australian fuel brand resonating well with customers. Having delivered this, our new campaign is about extending the brand to reflect our strategy to evolve from a traditional transport fuels and convenience retail provider to a broader distributor of energy solutions for the future.”
Says Jenny O’Regan, chief brand officer, Ampol: “Through our relaunch we celebrated our role in powering Australia’s journeys and have leveraged our broader assets and partnerships to cement ourselves in the minds of the consumer as ‘Australia’s Own’. We are now becoming a provider of energy solutions beyond fuel, and this campaign celebrates the current and future role we will play in powering lives across Australia.
“Connecting customers to the evolving energy offer of the business demonstrates the progressive nature of the brand. Building an extensive, sustainable charging solution for all Australians is an important part of our strategy. This campaign showcases all the individual journeys we are on, yet how we are all still connected.”
Says Piero Ruzzene, creative director, Saatchi & Saatchi: “When we relaunched Ampol, it reclaimed the road trip and reminded the nation that no one journeys quite like we do. Only Australia’s own fuel brand could do that. In 2022, we’re building on that. With a seismic move toward EV charging, both on the road and in the garage, and home electricity coming soon, Ampol is more than just fuelling our journeys; they’re powering our way of life.”
The campaign launched on national broadcast television in July and is supported by an integrated media buy via iProspect. The breadth includes TV, outdoor, cinema, radio, online display, social, and sponsorship partnerships, including Channel 9’s Friday Night Footy, Channel 7’s Sunrise and Fox Sports. The campaign will also leverage Ampol’s continued sponsorship of Ampol State of Origin and Red Bull Ampol Racing.
Says Jason Smith, client partner, iProspect: “To quickly rebuild renewed awareness of Ampol, we wanted to engage Australians of all walks of life in the right channels. Our approach is to ensure wherever possible, people connect with Ampol.”
AmpCharge Electric Vehicle Charging solutions will soon commence rolling out all over the country.
To find out more about how Ampol is evolving to meet the needs of customers, check out their Future Energy and Decarbonisation Strategy document released in 2021: https://www.ampol.com.au/about-ampol/sustainability/future-energy
Client: Ampol
Creative Agency: Saatchi & Saatchi Australia
Media Agency: iProspect
Production Company: Airbag
Sound Design: Rumble Studio
Photography Production House: The Kitchen
39 Comments
I love this new Avalanches song.
What is this song? Love it!
What is the song called?
Can’t call it a montage if it has transitions!
my first Ian Pons Jewell rip off
Read the room guys? No one wants to see some flashy ad for a petrol station when they’re gouging us for record profits.
Pie transition was unexpected. nice
Are mysteriously empty…
I’m calling
Give it a rest already. It already looks dated.
Love that they chose picturesque nature scenes for the OOH of the very environment they’re destroying.
With a little more vision an ambition, the could have gone with the EV infrastructure they’re (hopefully) rolling out.
We’ll one day view this type advertising similarly to the Tobacco glory days.
Wants to own up to making petrol fuel ads. It’s the new tobacco .
Ampol are selling fossil fuels in station but only rolling out ‘ charging solutions’ to homes????
I’m very confused. Why is the truck on it’s front wherks ?? This is ridiculously unnecessary. It’s like the agency had an fx gift voucher they needed to use up?
A lot of directors getting heat for apeing IPJ transitions circa 2020, which is somewhat fair. But these days, briefs are increasingly going out to prod. companies as full decks that are loaded with these refs to begin with. Can we go back to briefing production with simple, written scripts and see what we get back when they pitch?
Hear hear!
As an ECD I 100% agree. And it starts with having the balls to tell the suits / planners ‘The client isn’t a fucking moron, they will understand ‘the vision’ at treatment stage’. Not a popular opinion in a lot of agencies, but it leads to better work when we let everyone do their job.
I think Houston’s brand ID for Ampol looks great.
The ad is a waste of money.
I genuinely have zero idea what it’s trying to achieve.
Ponsy made it popular but it’s not new. Problem is the copying here in the last few years always seems super slow, played and without an edge. Too much concentration on the transition, rather than the scenes, performances, humour, story. The effects should always feel effortless, a surprise, and hard to tell how it was done. Not the case here, or in any aus IPJ influenced ad I’ve seen in Australia in the last 3 years. If all Ads look the same than how does a brand stand out? Creative 101?
It’s not the creatives at fault. Every time I see a brief I think of this song. They’re just trying to make it look exciting, lipstick on pigs: https://youtube.com/watch?v=pFrMLRQIT_k
It’s revealing that you’re all talking about the execution and not about the complete lack of an idea, which is why this country produces so much bland, but pretty, work. Why exactly is the viewer supposed to choose Ampol over any other servo?
Exactly, because there is no idea to talk about.
The idea should dictate the execution?
When it’s around the other way, the execution becomes the idea, which results in pretty but pointless work.
However I’d say in this case, the execution isn’t great, not in comparison to what it’s obviously referencing. Most likely thats because there’s no idea to pin the execution to?
Problem is time, clients not knowing what they want, and also uneducated creatives. ECD’s need to mentor and guide their creatives as to what makes a great standout idea, that references can span beyond Ads made overseas in the last 3 years and searching out the right people to make said idea. Laziness is a big problem.
Couldn’t agree more. Seems it is because it’s so easy to hide behind aesthetic references, keeping the idea itself super safe or non existent so no one can really be responsible for anything apart from the production co/director.
At this rate we are doomed, what are these guilty agencies writing other than making a moodboard pdf?
All that aside, this is the second time in just a few months I’ve seen that drone-out-from-car-window ripped off within AUS/NZ from the Pons-Jewell Apple commercial (first time was that Spark NZ campaign that Sanjay directed).
Also, why does all this kinda of stuff look like ultra commercial retail work from y2k era albeit shot on modern gear?
Also it’s for fossil fuels again. The renewables is the curly dry Parsley on top of the cheap rsl lasagne.
the mood board
Couldn’t afford it huh?
https://www.youtube.com/watch?v=RbEmVZ4SGBE
Agree. But to be fair, licensing that track would involve how many splits / samples / publishing libraries being paid?
But most contemporary music has samples and can be put on commercials. If it can be released then it can be licensed. It’s a disadvantage to the artist not to those paging for the sync.
Seems they had plenty of oil money to spray around anyway.
Plenty of holier than thou advertising people here. Make sure you hold these opinions when your agency helps pay your salary with a gambling ad, a car spot, or an alcohol brand.
Or do you just draw the line at using petrol everyday?
Just don’t pretend this horribly dated creative the licks the boot of fossil fuel is amazing work and PR it without expecting some feedback champ.
Wasn’t this Ariel @ airbag?
Hi mate, another petrol consuming hypocrite here.
People use better options when they are given a choice by the powers that be, we’re in a crucial transition to renewables and you’re defending a campaign that blatantly tries to slow this down by sweetening up fossil fuels? Nice angle on the issue Kyle.
This should not be a debate about the merits or otherwise of fossil fuels, nor the executional or production aspects of this advertising. It should be about how abysmally short of an advertising idea this ‘work’ is, and how far Saatchis has fallen from the great and proudly creative agency it used to be.
Surely we can have both.
It’s worth discussing multiple failures here before everyone convinces themselves this is somehow standout work by the time the next industry drinks comes around
100% agree, Old CD Guy.
I don’t like the song it gives me anxiety. I switch off when this advert comes on.
Is it Paul McDermott in the Ampol ad?
It sure looks like him! I think it’s him and Caroline from Think Tank!
I’ve Googled everywhere, can’t find anything mentioning him, except for your question, which is much the same as mine! 😆
IS THAT PAUL MCDERMOTT? 🤷🏻♀️
What parts of Australia is the latest ample advert filmed – especially the coastal section
It looks like the coast road, just south of Normanville/Lady Bay, on the Fleurieu Peninsula.